“And above the firmament that was over their heads was the likeness of a throne…”

— Ezekiel 1:26

This piece presents the continuation of Ezekiel’s vision — not the movement of the wheels below, but what appears above them. Rendered as a recovered manuscript fragment, the text is set within a field of restraint and space, emphasizing distance, elevation, and the limits of perception.

Designed as part of the Liminal State Sacred Series, this print is intended to feel archival rather than illustrative — a quiet object for study, contemplation, or display.

This archival print is part of the Sacred Series, a collection exploring ancient visions, pre-canonical texts, and the uneasy space between theology and the unknown.

Unlike the Ophanim below, which are described through motion and multiplicity, the throne in Ezekiel 1:26 is defined by distance and likeness rather than clarity. The language suggests presence without access — something seen but not approached, named but not defined.

The composition reflects this restraint. Negative space, muted tones, and an irregular parchment edge are used to evoke a recovered artifact rather than a decorative image. The emphasis is not spectacle, but scale.

Suitable for scholars, seekers, and those drawn to the stranger corners of religious history.